Beaumarchais ist der Familienname folgender Personen: Antoine de La Barre de Beaumarchais († ), französischer Autor; Jean-Pierre de Beaumarchais. I. Memoiren von Beaumarchàis: II. Schauspiele. Eugenie. Der Barbier von Sevilla. Der tolle Tag oder die Hochzeit des Figaro August Lewald. glänzender Styl. I) Der Schriftsteller Pierre Augustin Caron de Beaumarchais. II) Die Figaro-Trilogie von Pierre Augustin Caron de Beaumarchais 1. Le Barbier de Séville.
Zu Beaumarchais' Figaro-TrilogiePierre-Augustin Caron de BEAUMARCHAIS (), est un auteur de théâtre français, une figure des Lumières et un annonciateur de la Révolution. Pierre-Augustin Caron de Beaumarchais, ursprünglich Pierre-Augustin Caron, ab mit dem Zusatz de Beaumarchais, nobilitiert, war ein französischer Uomo universale der Aufklärungszeit. Pierre-Augustin Caron de Beaumarchais [ˈpjɛʀ-ogysˈtɛ̃ kɑˈʀõ də bomaʀˈʃɛ] (* Januar in Paris; † Mai ebendort), ursprünglich.
Beaumarchais Navigation menu VideoBeaumarchais partie 1 Pierre-Augustin Caron de Beaumarchais, ursprünglich Pierre-Augustin Caron, ab mit dem Zusatz de Beaumarchais, nobilitiert, war ein französischer Uomo universale der Aufklärungszeit. Pierre-Augustin Caron de Beaumarchais [ˈpjɛʀ-ogysˈtɛ̃ kɑˈʀõ də bomaʀˈʃɛ] (* Januar in Paris; † Mai ebendort), ursprünglich. Beaumarchais ist der Familienname folgender Personen: Antoine de La Barre de Beaumarchais († ), französischer Autor; Jean-Pierre de Beaumarchais. Pierre-Augustin Caron de Beaumarchais wurde am Januar als Sohn des Uhrmachers André-Charles Caron in Paris geboren. Am November . In seinem "Essai sur le Neon Genesis Evangelion 3.33 Stream dramatique" nimmt er Diderotsches Ideengut auf, attackiert auch die klassische französische Tragödie. Darüber hinaus Uefa Spiele Figaro wie sein historisches Vorbild der geborene Intrigant. Politik und Revolution im Werk Hannah French Revolution Although Beaumarchais initially welcomed the meeting of the Estates-General in Paris inthe increasingly radical course of the French Revolution made his position extremely precarious, and he was arrested innarrowly escaping the September massacres—an explosion of mob violence, which resulted in the killing of half the Paris prisoner population. Beauharnais v. QUIZZES DO Xconfessions 14 KNOW WHICH OF THESE WORDS WERE INSPIRED BY PEOPLE? Afterbecause of his legal involvements, Beaumarchais left France on secret royal missions Glamour Tarot England Beaumarchais Germany for both Louis XV and Louis XVI. Beaumier, Colleen, B. Pierre-Augustin Caron de Beaumarchais Article Quotes Media Additional Info. Beauregard, P. Beaumont, Matthew —. Email address. Beaumont, Florence c. About this article Beaumarchais, Pierre-Augustin Caron de Updated About encyclopedia. The Marriage of Beaumarchais Mozart, opera The Crazy Day or The Marriage of Figaro musical.
In both The Barber of Seville and The Marriage of Figaro Beaumarchais's role as defender of morality of both sexes is offered through the representation of diverse views on love, money, and vanity, of concern to all classes in his society.
Originally banned by Louis XVI , who stated that its performance would require the destruction of the Bastille, The Marriage of Figaro was first performed in private before the count of Artois, the King's brother.
In , the ban was lifted; first performances were both successful and scandalous, with Beaumarchais himself inciting groups of moralists and conservatives.
In addition to his considerable efforts at using complex characters to take jabs at the aristocracy, Beaumarchais was inadvertently responsible for ushering in a new era of opera when his The Marriage of Figaro was put to the music of Mozart.
In this modern era of opera, the focus moved from music to action, a shift that writers had been petitioning for, for quite a while before Beaumarchais.
Influence on Modern Opera Beaumarchais realized his ultimate ambition: he reform opera, and the reform was revolutionary and permanent.
It was by setting Beaumarchais's The Marriage of Figaro that Mozart achieved his operatic ideals and gave himself at last the central dramatic ensemble that had to be constructed for him factitiously in The Abduction from the Seraglio.
The experience also radically altered Mozart's style, and determined the course of opera for the next century.
Part of the credit must be given to Lorenzo Da Ponte , who adapted the play for Mozart, but even more belongs to Beaumarchais himself.
His theater was not transformed into opera, but was originally conceived in operatic terms, quite literally inspired by the tradition of comic opera and its unrealized possibilities.
As spokesperson for the Enlightenment, Beaumarchais had considerable influence on eighteenth-century social institutions. Through dramatic, lyric, and autobiographical texts, he synthesized the spirit and fulfillment of his age into forms that relegated laughter to the service of characters.
His drama was strikingly original in its portrayals of multifaceted characters and the social problems of the revolutionary period.
Thus, he humanized stereotypes, according them the variety of social backdrops he himself had known. Relying on art, he displayed his public to itself, proclaiming through his wit essential preconditions for an aristocracy of merit and the advent of a new age.
Beaumarchais's plays, critical of the aristocracy, were wildly popular. However, Beaumarchais's treatment of the upper class brought him the disfavor of the King of France—so much so that Louis XVI argued that The Marriage of Figaro would incite the public to destroy the monarchy.
Louis XVI later retreated from this position and actually praised the play for its popularity. Many authors and artists feel the wrath of the government of the country in which they work, but not all of them receive the same kind of approval Beaumarchais eventually received.
Here are a few works that have been received poorly by figures of political power:. Ulysses , a novel by James Joyce.
Before this text was published in a single volume, its various parts were published in a magazine over a period of almost two years.
During this time, Joyce was charged with indecency for his portrayal, among other things, of masturbation. Harry Potter and the Sorcerer's Stone , a novel by J.
Although never officially banned by the government, the entire Harry Potter series has been challenged by various groups for its purported promotion of magic and devaluation of Christian beliefs.
The Satanic Verses , a novel by Salman Rushdie. An analysis of Muslim identity in the modern world, this work was so controversial and considered so blasphemous by Muslim leaders that the Ayatollah Ruhollah Khomeini , the Supreme Leader of Iran, issued a decree that any good Muslim ought to kill Salman Rushdie and his publishers for the heresy the book contains.
Reputation Reverses with Success in The Barber of Seville Despite the failure of The Barber of Seville on opening night, Beaumarchais listened to his critics and, in a period of three days, reduced it to four acts instead of five, resulting in the resounding success of the second performance.
What a darling child is the French nation! When vexed, how spiteful it turns; when made to laugh, how good natured and well-behaved.
I should have sacrificed the hundreds of pages of Beaumarchais's mediocre sentimental plays for a satisfactory printing of the five-act version of The Barber.
Contemporary Approaches to Beaumarchais Beau-marchais's critical stature is considerably higher in France than in the English speaking world, where his work has received comparably scant attention.
Critics from England and America have explored diverse themes in their analyses of Beaumarchais's plays.
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Beaumarchais bought the printing equipment especially for the purpose from the widow of the great English typographer John Baskerville. Both are dominated by the servant Figaro, a scheming dynamo of wit and generosity.
One of the prominent traits of this mixed…. Pierre-Augustin Caron he was christened, and it was in his soaring years that he added "de Beaumarchais.
But Beaumarchais was not the only author who owed his notoriety to his legal proceedings. The latter favored in appearance at least M.
Beaumarchais ' claim. Louis was so impressed by the result that he named Beaumarchais "Purveyor to the King", and the Caron family business became prosperous.
In Beaumarchais met Madeleine-Catherine Aubertin, a widow, and married her the following year. She helped Beaumarchais secure a royal office, and he gave up watchmaking.
Shortly after his marriage, he adopted the name "Pierre-Augustin Caron de Beaumarchais", which he derived from "le Bois Marchais", the name of a piece of land belonging to his new wife.
He believed the name sounded grander and more aristocratic and adopted at the same time an elaborate coat of arms. Beaumarchais' problems were eased when he was appointed to teach Louis XV's four daughters the harp.
His role soon grew and he became a musical advisor for the royal family. Assisted by Duverney, Beaumarchais acquired the title of Secretary-Councillor to the King in —61, thereby gaining access to French nobility.
This was followed by the purchase in of a second title, the office of Lieutenant General of Hunting, a position which oversaw the royal parks.
Around this time, he became engaged to Pauline Le Breton, who came from a plantation -owning family from Saint-Domingue , but broke it off when he discovered she was not as wealthy as he had been led to believe.
They sought exclusive contracts for the newly acquired Spanish colony of Louisiana and attempted to gain the right to import slaves to the Spanish colonies in the Americas.
Hoping to secure Clavijo's support for his business deals by binding him by marriage, Beaumarchais initially shamed Clavijo into agreeing to marry Lisette, but when further details emerged about Clavijo's conduct, the marriage was called off.
Beaumarchais's business deals dragged on, and he spent much of his time soaking up the atmosphere of Spain, which would become a major influence on his later writings.
Although he befriended important figures such as the foreign minister Grimaldi , his attempts to secure the contracts for Duverney eventually came to nothing and he went home in March Beaumarchais considered turning the affair into a play, but decided to leave it to others—including Goethe , who wrote Clavigo in Beaumarchais hoped to be made consul to Spain, but his application was rejected.
He had already experimented in writing short farces for private audiences, but he now had ambitions to write for the theatre.
Figaro and Count Almaviva, the two characters Beaumarchais most likely conceived in his travels in Spain, were with Rosine, later the Countess Almaviva the only ones present in all three plays.
They are indicative of the change in social attitudes before, during, and after the French Revolution.
Prototypes of Almaviva and Rosine first appeared under the names Lindor and Pauline in the short and incomplete play Le Sacristain , in which Lindor disguises himself as a monk and music teacher in order to meet Pauline under the watchful eyes of her elderly husband.
Beaumarchais wrote it around and dubbed it "an interlude, imitating the Spanish style. Upon first reading a manuscript of Beaumarchais's play, King Louis XVI stated that "this man mocks everything that must be respected in a government" and refused to let it be performed.
To a lesser degree, the Figaro plays are semi-autobiographical. Meanwhile, some of the Count monologues reflect on the playwright's remorse over his numerous sexual exploits.
Le Barbier premiered in Paris in An English translation premiered in London a year later, and that was followed by performances in other European countries.
The sequel, Le Mariage , was initially passed by the censor in , but was soon banned from being performed by Louis XVI after a private reading.
Queen Marie-Antoinette lamented the ban, as did various influential members of her entourage. Nonetheless, the King was unhappy with the play's satire on the aristocracy and overruled the Queen's entreaties to allow its performance.
Over the next three years, Beaumarchais gave many private readings of the play, as well as making revisions to try to pass the censor.
The King finally relented and lifted the ban in The play premiered that year and was enormously popular even with aristocratic audiences.
Mozart's opera based on the play, Le Nozze di Figaro premiered just two years later in Vienna. All three Figaro plays enjoyed great success, and are still frequently performed today in theatres and opera houses.
The death of Duverney on 17 July triggered a decade of turmoil for Beaumarchais. A few months earlier, the two had signed a statement cancelling all debts that Beaumarchais owed Duverney about 75, pounds , and granting Beaumarchais the modest sum of 15, pounds.